Night and Day
A burned out car blocks a street near the Zócalo. Probably the work of common vandals, not the teachers' movement.
I dream I’m on my way home from my job at the airport, accompanied in the shuttle by my father and stepmother. The van moves in slow motion down the road I know so well, crossing the lush milpas on the banks of Atoyac River on its way to the highway. We’ve just passed through the gate at the perimeter of the airport, when the terminal behind us explodes into flames, the reflection illuminating the windshield. My dad is driving. We scream for him to escalate but the van seems to advance more slowly than before.
I have to call my mother, but the buttons on my cell phones won’t work. She will think I’m dead in the airport. Time does not exist in dreams, and place is relative. I’m not in Oaxaca anymore. We are in the States and homeland security searches us to make sure we don’t have any bombs on us that might explode at any moment. This possibility is not as shocking as the fact that we’ve escaped it.
My eyes blink open in the 4AM gloom. I listen to the city outside like it was a jungle. I try to distinguish the firecrackers from the gunshots. Firecrackers make have a sharp, expansive sound that dissipates back into the night where it originated. Gunshots make a flat, implosive sound followed by silence.
The whistles sound up and down the streets. They are communicating with each other: the jungle beasts: the teachers, the army, the APPO, the vandals, the teenagers…we don’t know anymore. The whistles are followed by the sound of shattering glass. There is a courtyard and two-adobe walls separating me from the street. My ears are the only way I know what’s going on.
At five AM my cell phone rings. It’s Lupita. She and her sister are on the bus from Mexico City, where they’d been stranded since Sunday; “they”- the teachers, the APPO - closed the highway. They want to know if it’s safe to walk downtown.
“Wait,” I say. “Wait until…” Half asleep, I forget the Spanish word for sunrise.
At eight-thirty I step out onto the street. I expect to step out onto a surface of shattered glass, but everything is the same as always. My neighbor is on the sidewalk in front of her house, heating her clay griddle for her morning memelita business. Pyres of firewood, tires and trash, simmer and smoke in the middle of the intersections, but they are quickly stifled under the tires of passing buses. I join the Señora’s with shopping bags and men with briefcases walking toward the center, where the airport shuttle stops to pick me up.

